It’s a long standing joke between me and my trainees that I’m a rubbish counter. I’ll often say 6 and, whilst under stress, the trainee will shout ‘That was seven!’
The truth is I don’t particularly care what number rep it is.
When asked about how many sit ups he did each day, Muhammad Ali said,”I don’t know because I don’t count until it starts hurting.”
My job is to give my client a target, for example a 12 rep set, with a weight that they will begin to ‘struggle’ at about rep 8/9. If they start to struggle from rep one, we’ve gone too heavy or not allowed enough rest period from the previous set. Having a number in mind what you would like to achieve is good as far as having a target, but it isn’t essential to your overall goals.
In my own training I call my reps a MacGuffin. Within the film industry this term is used to describe a character or an object that keeps a plot in motion without having any significance in the outcome of the movie. Think about the briefcase in Pulp Fiction and, even the much loved character in Star Wars, R2D2 was called a MacGuffin by George Lucas. Neither had a bearing on the outcome of the movies that they were in, yet were present throughout their films that they appeared in.

To follow the plot, the viewer thinks that they must pay attention to the object or the character. Indeed, as I train, I recognize that my MacGuffinesque reps won’t define the outcome of my workout, rather the weight and quality of those reps will. Yet I understand the need to to have them there. And if I do as an experienced trainer, most of my clients will need their MacGuffin too.
The important thing to remember is that the weight and the quality of your reps is what will get the best results. During your programming you should go through a variety of reps, sets, weights and rest periods anyway. This can help in avoiding a plateau. But one rep is going to better than 10 rushed reps with poor technique. The reason for poor technique is that you have not perfected your first rep at the correct weight. Get that wrong and the rest of your set is not going to get you the results that you want and in some circumstances will cause injury.
I have mentioned in a previous post about an older gent gym goer that generally trains at the same time as me. I’ve called him Hannibal because he is strapped up like Dr Lecter as they wheel him out of his prison cell. The only thing that is missing is the muzzle. The strappings, I’m concluding from experience, is because of his previous injuries. He will pick up the heaviest weights and quarter rep twenty times. Had he performed at a sensible weight and completed 8 perfect reps then I would imagine that he would have swerved many of his injuries.
But perfect reps aren’t sexy or cool. R2R2 isn’t sexy, it is just a character that provides a platform for the heroes. Harrison Ford was the eye candy. The briefcase in Pulp Fiction wasn’t cool but it was written into the plot for very little purpose. Samuel L Jackson was cool.

The weight that I choose and the time I have my muscle under tension with that weight is my leading actor. My leading actor will play a significant part in the climax of the movie. Without the leading actor the movie could not have a satisfactory ending. The reps count just happens to be a part of the script and, if you’ve got the star cast in place, won’t have any bearing to the final scene.

















